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Dadaist artists expressed their discontent with violence, war, and nationalism, and maintained political affinities with the radical left.

There is no consensus on the origin of the movement's name; a common story is that the Austrian artist Richard Huelsenbeck plunged a knife at random into a dictionary, where it landed on "dada", a colloquial French term for a hobby horse.

This international movement was begun by a group of artists and poets associated with the Cabaret Voltaire in Zürich.

Dada rejected reason and logic, prizing nonsense, irrationality and intuition.

They expressed their rejection of that ideology in artistic expression that appeared to reject logic and embrace chaos and irrationality.

Dada represented the opposite of everything which art stood for.

Some sources state that Dada coalesced on October 6 at the Cabaret Voltaire.They had seen (or participated in) Cubist exhibitions held at Galeries Dalmau, Barcelona (1912), Galerie Der Sturm in Berlin (1912), the Armory Show in New York (1913), SVU Mánes in Prague (1914), several Jack of Diamonds exhibitions in Moscow and at De Moderne Kunstkring, Amsterdam (between 19).Futurism developed in response to the work of various artists. Many Dadaists believed that the 'reason' and 'logic' of bourgeois capitalist society had led people into war.The central figure hanging from the ceiling was an effigy of a German officer with a pigs head.From left to right: Raoul Hausmann, Hannah Höch (sitting), Otto Burchard, Johannes Baader, Wieland Herzfelde, Margarete Herzfelde, dr.

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